two heavy bass loaded dancefloor smasher >> electro nu skull breaks mixture. the original utilizes the vocal hook >this is fucked up man!<, laced on top of crisp 4/4 electro beats with a booming kick and wide hand claps. the bass is bottom heavy, and the distorted leads scream at you, as this one lines up to pound through club speakers and into your eardrums.

limited one sided edition !! far out is just that: a track that goes the distance, but without pretension or unnecessary fanfare. more understated than your typical anthem, it cruises in stealth mode, winding a refined, percussive groove ever tighter, threaded onto a pattern of needle-nosed toms that glides almost unnoticed under your skin. unnoticed, that is, until the tracks main riff comes crashing down like an awning full of icicles, sharp and cold and heavy. but sebo ks sense of restraint is such that he never beats us over the head with it, so to speak. instead he lets the groove spiral on, tightening it as he goes and whipping up chilly little sinewave twisters along the way. you can leave your mittens at home, though, because theres enough heat in the rolling bass line to keep you warm all winter long

massive bush ii bush remix package

the long awaited sequel on abschuss records is ready to take off. expect the usual weird and drolly sounds combined with a monster synth and catchy vocals. frank kvitta escalates the pace a bit more and drops with his wik it up rmx a rocking monster on the flip. on top you will get some phatt bass on b2

one of the biggest tracks from 2006 getting a fresh set of remixs courtesy of some serious chicago house all stars. green velvets shake and pop blew up dancefloors worldwide with its cool vocals, and now this ep features some real funky dancefloor pleasers. mark grant sets it off with a vocal and dub mix that highlight the vocal and the quirky electro bass funk from the original. meanwhile the big poppa dj sneak turns in a jacked up mix that focuses nicely on the vocal from the original. some very hot dancefloor material, dont sleep on this on

two electro flavoured house bombs for the modern clubber. prophetization is more suitable for night time or right before the sun rises. electro rhythms, cosmic synth notes accompanied by a fat bass. lost in space, its dark, the bright strings call from afar and bring hope. the light shines at the end of the tunnel. pazuzu on side b is a mixture of bleeps and atmospheric pads sustained by a housey beat, chugging along to a dubby sub bass. perfect for those early mornings lost on the dancefloor in a state of trance.

fuck the world and go all in! fuck the world definitely has to be this new labels first output to cause some major attention right from the start and it worked: its hammered by no less such figures than maniax (moonbootique), azzido da bass (luscious sounds), roman salzger (joia/opaque), wollion (fullscale/blufin), tim le el (scream & shout), tapesh (tribebouse/3001), lars sommerfeld (two faces/fumakilla), toby montana (selected works) and juliet sikora (opaque). tube & berger have made themselves a name in the international dance business many years ago and together with ante perry they were responsible for the incredibly successful hit single der urknall earlier in 2007. now the guys have managed to get no less than electroferris (formerly known as ferris mc) on board to produce a pure dance floor bomb that will cause absolute escalation wherever played.

deep grooving soulful house gem with this huge slapped bass. a must have for all deephouse headz

darker drum n bass promo copies

the title track recalls those half forgotten dreams of positivity and optimism inspired by early us house music… a nostalgic arrangement of arpeggiated synths, high string lines, analogue drum machines and a 1980s vintage, new order like stepped bassline. housemuzik 1.2,3 takes us into much dark territory, dragging a similar palette of sounds into a dense psychedelic mix of acid guitar, pitched down demonic vocals and disorientating spacial effects. dont listen to this with the lights off! fajr dub is an epic, stoned dub collage built around classic space echo delay & feedback tricks, spectral voices and a shifting synth bass pattern, all underpinned by a soft pulsing backbone reminiscent of rhythm & sound productions.

limited to 500 copies !!! supported by: ashley beedle (x-press 2), florian meindl, martin eyerer, axwell, micky slim, azzido da bass, lars sommerfeld, oliver klein, dani könig, holger nielson, malente, ascii disko, dj chus, axel karakasis, the scumfrog, anil chavla, minima and many more

fresh after the release of his well-received wagon repair debut, we are thrilled to present italian producer luca bacchettis >like a sadhu ep<. a prominent tech-house dj and prolific producer with releases on tenax recordings and safari electronique prior to his work with wagon repair, luca can also be found presenting the excellent xtrabass show on samurai fm. opener >like a sadhu< is a driving tech-house track, motored by a pulsating bass loop and enlivened by fast approaching synth highlights, buzzing rhythmic tones and restless percussive transformations. >trust< is saturated with new dimensions, mixing a deep bass drive and clattering percussion with intensifying synth passages and an unnerving ambience. >the way to corvocado< is the deepest of the trilogy, mixing a sparse soundscape with subtle percussive pushes as a stabbed chord passage adds melody

excellent grooves, throbbing bass and twisted crisp stabs that make your brain itch !!

icelands house emissaries asli (mikrolux, thugfucker, fragile) and orang volante with three brand new tracks - dubby, minimal and techy deep house music of the highest calibre. also including a super bass heavy westpark unit remix of springesequence.

played by todd terje, tim sweeny, mungolian jet set, bill brewster, dj cosmo and more. on this release they don’t seem to hide their combined love for soundtrack and trip hop at all! the heavy sonic landscape that is painted then suddenly gets some strokes of warm synthetic keys while a mid tempo 4/4 bass drum hypnotically keeps you going towards the end. finally you kindly get administered a dose of druggy guitar for maximum distortion effect.on the flip norwegian top-flight psychonauts mungolian jet set show their genius by telling a totally different story. for their dark & gloomy medievel knievel version the main theme from bs&f gets many variations and transpositions.this is a genuine and highly intelligent epic dance floor masterpiece not for the faint-hearted!

funky french houser. mixes by deca and larsz chaptier. includes find your words on the flip !! support von: digitalism, spiller, tomboy, azzido da bass, lars moston...

james murphys latest styling comes with a valley of trombone-punctuated jazzy disco, funky soft rock and more bass-lead probing punk-electro

making a triumphant return to dance floors world wide, the incomparable plump djs unleash their first official release since 2005. system addict gets proceedings underway with a rumbling clarion bass call. with its central automatic, system addict mantra, the track switches between serrated bass and a gated synth hook, underpinned by some typically plump driving rhythms. flipside doppler sees the plumps going for some serious heads down action. a screaming crescendo drops into techy vocodered riffing before layered percussion builds and builds to devastating effect. this release has become a classic hands in the air plump djs weapon already taking dance floors by storm.

step forward dubfire (aka ali shirazinia from grammy winning dj and production duo deep dish) whos already hit top form this summer with some tasty releases on desolat, funkwelle.net and whose thumping >emissions< features on the minus compilation >expansion contraction<. the beauty of this rework is that it doesnt stray far from the original vibe. dubfire pays the track the full respect it deserves, adding contemporary beats, bass and hat patterns, subliminal efx and tweaks that perfectly compliment the eq sweeps and machine gun snare rolls of the original. panikattack (originally released on plus 8 in 1996 as the b side to sickness) gets a more radical overhaul with guido schneider turning in a typically pragmatic version. by excavating and enhancing the gritty funk that lies buried under the feverish textures of the original, he discovers a totally new dimension. combining the plastik elements with his own trademark swing and razor sharp percussion programming, schneider coaxes the track out of the shadows for some serious peak time action as the bassline bounds forward relentlessly occasionally enveloped by stuttering delays, to negotiate its way through the dubbed out breakdown and on to the end

this ep is the first instalment in a series of four compilation releases that aim to showcase fresh electronic talent in the uk electro/techno scene. scape 1 and bass junkie playlist

finest detroitish 3 tracker by new talented french artist jose galban. warm bass, rollin high hats, nice grooves and a very sensetive feeling for the peaktime smokey dancefloors

hustle & flow are brian anderson and ryan kick from new york city and they are debuting on european soil with this crispy 3 track funkster. this city is the home of artists as masters at work, armand van helden and so on but lately a new wave of underground house music producers has been emerging from the big apple with fresh names like troydon, 1200 warriors and these guys. the room service ep serves you 3 ultra funky modern house tunes that will be played by your house heroes derrick carter, dj sneak, dj heather and jason hodges. first track play it again is the most boompty cut of the lot with its melting sub bass and one of the most danceable house cuts of the last months, no doubt. untouchable has this amazing double theme that puts instant smiles on the dance floors worldwide with its great jazzy sax break. the deeper cut on this ep is locals only which has some slick rhodes action going on, a favorite amongst many house deejays. another winner for the tracky sister label of aroma recordings.

type new music is the first drum & bass label to be primarily based out of miami, florida. tnm has contributed to local drum & bass community in the past by hosting free events showcasing well known international artists

lowkey & kardinals zombies night on the a side is an electrohouse monster with dark bass and synth lines as you would expect in a zombie night. flip for wehbbas polar - a techy edged electro flavoured peaktime bomb!!

taking a jump up from his laid back lounging mode chris belsey joins forces with trevor loveys of house of 909 and speaker junk fame to collaborate as lill bo tweak. lill bo tweak may sound like a nursery rhyme character that lost its sheep but it is in fact two londoners who have found a massive dance floor smash and served it up on made to play. k-rizzles solid beats , groovy bass-line and twisted flip outs will fire up any dancefloor. as well as this label boss jesse rose has smoothed out the original into a dub version

next booty to come from the ransack quarters takes on classic jungle brothers and rinses them out hard !! dub mix on the flip for those more into their bass minus vocals

multi talented parisian producer dj fudge comes with a killer 3 tracker for the newly re launched sub urban records, showcasing the diverse styles of his endless production skills. first up is the disco infused liv & love featuring the classic sound of vocalist mani hoffman (a longtime collaborator with fudge) who is most famous as the voice behind the hit record starlight by supermen lovers, then we shift to the other end of the spectrum of fudges flavaz midnight sun is a deep dark journey that wont fail to rock the global dancefloors, last but not least comes grysor a beat heavy journey laced with a twisted synth bass line for those who like their house dirty...

the follow up to 2005s classy cornuts & courvoisier 12incher, this latest dancefloor loveliness has all the ingredients for a to be dance classic: heavy percussion, fat bass, & undeniably catchy melody. a hard to nail down sound its got disco, stoney dub, latin percussion, & stank funk. dope.

the second split-12inch on our philpot division is shared by move d & bouillabass as well as michel baumann a.k.a. jackmate. david moufang better known as move d from source records heidelberg comes along with a collaboration with his dj partner >bouillabass<. their track >sweet heini< dates back to 1998 and is in a way a dark acid driven peace of techno which is just made to rock on… jackmate is with >buccaneer< delivering a dirty bouncing minimal-chicago-monster … fat bass, jazzy keys…

excellent disco flavoured deep spacin techhouse !! the seventh theomatic release represents the unbeatable fact that besides chilling during the last summer an-2 didnt give up his studio work. put together the wide open spaces, shining sun, seashore, cool breeze and warm summer nights, add some outdoor recording, phazed synthlines, rhodes piano, engage a good friend to cut the burnin guitar solo, put on the decent beats seasoned with smooth bass guitar and you get the >wide open< ep

the very first release from another fresh eskimo find, right from the beautiful area of tuscany. choosing vintage analog synthesizers next to real instruments such as guitars and an electric bass, simone manages to perfectly sculpt his deep and original sound, mixing funk, italian disco, house and synth pop. supported by lindstrom, tiga, munk (gomma), serge (clone), optimo boys

debut release von dreher & sm.art (rotary cocktail, mute, ostwind) !! zwei gänsehaut-charaktäre und ein sehr charmanter wie auch quirliger mollono.bass remix

the story of steppah huntah is the story of two musicians - steven j, a bass player and oless t, a pianist, and a chance meeting at a strasbourg jazz club one autumn evening in 2002. the duo were soon inspired to work together to fuse their love for jazz, afrobeat & funk in the service of a new driven sound, powered by the seemingly endless possibilities offered by new computer technology. instinctively, the musicians looked west to the emerging beat and kind of jazz style, deeply influenced in their musical experimentation by pioneers such as incognito, talking loud label. remix made by japanese producer and dj whos made a name for himself worldwide in the last few years is mitsu the beats. that makes his beats very original & unique & not belonging to any one kind of music.

being compared to &#147,dance machines, fuck friend is easily recognisable thanks to their enormous sounds between lo fi and post punk, metronomic distorted drums, some vintage keyboards, very heavy bass lines, and bitchees crystal like voice singing melodies inspired by what they call candy pop music, meaning cute songs sang by cute people. despite the projects young age, the band is already being supported by some of the greatest artists and djs: soulwax, digitalism, erol alkan, brodinski, css, bonde do role, mr flash, the teenagers, yuksek, mixhell, poney poney, benjamin diamond etc. fuck friend has been remixed by brodinsky & yuksek, mixhell (aka iggor cavalera from sepultura!) and css. dance machine is the word!

banging darker schranz tunes by miss squo vs.2 mjr and a more chord & tribal influenced techno tune by

stunning follow up to giorgio carpenter heads into spaced-out punk funk territory with live bass, guitar and extremely hooky vox from nigel and superb handing of synths, drums, funny noises, arrangement and production from jamie. clocking in at 11 minutes and going into an extended groove out for the second half. an out and out winner on all manner of dancefloors. hurry, all aboard! 200 copies worldwide.

dj support: 2000 and one, karotte, tobi neumann, onur Özer, matthias tanzmann, ali schwarz from tiefscwarz... the four tracks on >Études Électroniques< find luciano invigorated and inspired, putting his talents into the service of dancefloors at their most delirious. with its delicate skip and its slow sunrise flare, >montana< opens the record on a blissful note, calm and suffused with light. a hollow bass tone puffs away like a glassblower as brittle rhythmic patterns spin round and round. swelling and drifting, weightless and iridescent, it feels like chasing dawn in a hot-air balloon. >fochedrem< eases off the throttle and cracks an ear-to-ear grin. a stubby one-note bass line beats out a kind of cartoon funk as the answering riff splinters and shapeshifts between cowbell, organ and piano. its as slippery as the deck of a storm-tossed boat. >masalla< features liquid congas and feathered metallic details that stand on end like magnetic shavings. laid-back and polyrhythmic, its a future latin maysterpiece

delete strikes with 4 perfect tracks to get caught by his music. on a1 bobby trap is a huge piece of click techno with a dub deep bass subtle darky sounds and a heady grabble distord melody giving an incredible tension on a2 whos the big boss is a minimal darky tek track deep and groovy check out this delete crispy melody b1 is black mamba with the sublte use of flang’ fx on heady melodies in a dark atmosphere and to complete this ep a rollin funky tech house piece brilliant!

spiros kaloumenos started releasing music on u.k based label hydrophonic records and from this moment on his production skills made him key member of marco baileys family with successful releases on pornographic, rhythm convert , mb elektronics,and other labels also. this new outing from spiros is another sure winner!

infectious funky breaks

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

bass heavy electro-breaks - rob reng remix

anthemic acid electro to breaks incl phat remixes by bass junkie & wee djs

the fifth rottenrow release comes in the form of this 5 track ep from manchesters tommy walker 3. his work with the human shield record co and his remix of ladytron have seen his name emerge as hot property in the electro field. this ep features 5 slices of illogical space music, wind driven bass anthems and wild, story driven electro

known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

with a blend artpop-disco-industrial-techno-newwave-electro-go-go punk and live vocals this duo creates a distinctive, futuristic hybrid of dance. the compelling mix of electronic punk features both jan & ariels emotive vocals, adding a taste of yesterdays anarchist sarcastic flavor, but never interferes with the music. jan as progammer and composer uses as many analogue sounds as possible, bringing musicians into the studio, creating a virtual band. featured on various tracks of the up and coming debut album, >bang!< is the guitar mastership of the legendary east bay ray of the dead kennedys. supporting members are johann bley on drums (ex-member of kmfdm & juno reactor) jasper scholtz, bass guitar and vocals

first up is the brash and chaotic game boy, with its quirky, shuffling beat, and thick buzzing bass holding down the backline while the electro-madness of the jumping lead provides a perfect homage to the 8 bit console of the same name, but with a tougher edge, of course !

the mighty lfo classic bassmonster get a funky breaks treatment !! --> flipside for all drum & bass lovers, very fast and tight